RUSENG

Кураторство / Curatorship

Кураторство / Curatorship

I approach exhibitions as spaces for expression and dialogue. My interests are centered on photography and practices related to the study of visual culture, memory, identity, and the ways in which experience is represented.

Over the past three years, I have initiated and realized 15 exhibition projects, including solo and group exhibitions, as well as thematic and representative projects. Some of these exhibitions have been presented at up to five different venues, each time entering a new context and establishing new relationships with the space, audience, and local cultural environment.

For me, curatorial work begins with the selection of a theme, research, and the development of the project’s conceptual, ethical, and aesthetic framework. It involves sustained dialogue with artists, institutions, and other participants in the process, as well as work on the exhibition’s narrative structure, the selection and composition of participants, and the choice and presentation of artworks. Equally important aspects of the work include organizing production and logistics, developing the exhibition’s visual communication, overseeing installation, coordinating the team, and collaborating with partners throughout all stages of the project—from its initial development to its realization in the exhibition space.

I am interested in exhibitions not as collections of objects, but as processes in which artistic practices, institutional conditions, and the viewer’s experience intersect. For this reason, a significant part of my work involves building collaborations between artists, venues, and specialists from different fields, as well as exploring formats that enable a project to maintain its integrity across different circumstances and exhibition contexts.